If You’ve Got the Money: The Economics of the Bristol Sessions

The Bristol Sessions looms large in history for artistic reasons:  They launched the careers of Jimmie Rodgers and the Carter Family, whose music would define the parameters of country music for generations to come. However, the Sessions were not primarily an artistic exercise, but rather an economic one.  Ralph Peer wasn’t in Bristol looking for … Continue reading If You’ve Got the Money: The Economics of the Bristol Sessions

Why Bristol?

Today “the Bristol Sessions” is a portmanteau phrase in its own right, so much a given to country-music aficionados that it hardly seems necessary to ask questions such as “why were there sessions in Bristol?” or, more relevant to this discussion, “Why were the sessions in Bristol?” They didn’t have to be.  In the 1910s … Continue reading Why Bristol?

Is It Country? Is It Rock? 20 Ways to Tell

Watch the Grammy awards—it doesn’t matter what year—and you’re watching an exercise in nomenclature.  Americans love music, but they also love finding new words to categorize it.  Is this song country, folk or Southern rock? Folk-rock, alt country or Americana? Is it neo-folk, country-punk or folkabilly? Why does anybody care?  Well, it’s about money, of … Continue reading Is It Country? Is It Rock? 20 Ways to Tell