North Babylon Public Library, January 26, 2021 “Setting the Woods on Fire” (Hank Williams, 1952) Written by Fred Rose and Edward G. Nelson, this is a great example of why many people said that Fred Rose could write a Hank Williams song better than anyone, even Williams himself. Since the song first hit the airwaves, … Continue reading Program Notes: Tennessee Walt’s The Other Great American Songbook
Author: Tennessee Walt
Program Notes: Tennessee Walt’s Bristol and Beyond: The Birth of Country Music
Bethpage Public Library, January 24, 2021 “Keep on the Sunny Side” (Carter Family, 1928) Songwriters get their ideas from all over, but the best ones keep their ears open, knowing that any random phrase they hear might be the germ of a great song. In the case of lyricist Ada Blenkhorn, she had a nephew … Continue reading Program Notes: Tennessee Walt’s Bristol and Beyond: The Birth of Country Music
Whisper It Loud
When people talk about the great country stars born in the 1930s, the names that come up first tend to be people like Johnny Cash (1932), Loretta Lynn (1932), Patsy Cline (1932), Willie Nelson (1933), Kris Kristofferson (1936), Waylon Jennings (1937) and Merle Haggard (1937). It was a tremendously fruitful generation of artists, and their … Continue reading Whisper It Loud
‘Tennessee Walt’s Hank Williams Birthday Party’: Program Notes
“Hey, Good-Looking” (Hank Williams, 1951). Yes, the official name is “Hey, Good Lookin’.” To understand why I don’t call it that, read my 2016 blog post, “Hank Williams’ Apostrophe: A Quest for Authenticity.” It’s not about this song specifically, but it might just as well be. Williams’ penchant for borrowing tunes and, often, some of … Continue reading ‘Tennessee Walt’s Hank Williams Birthday Party’: Program Notes
The Curious Case of Paul Gilley
It sounds like a “Who’s buried in Grant’s Tomb?” line: Who wrote Hank Williams’ greatest songs? Paul Gilley The obvious answer is that Hank Williams did. However, there are a small number of people who, quite sincerely, believe that—at least in the case of “I’m So Lonesome I Could Cry” (1949) and “Cold, Cold Heart” … Continue reading The Curious Case of Paul Gilley
Program Notes: ‘A Distant Country 5’
“Night Train to Memphis” (Roy Acuff, 1942). It’s impossible to say for sure who did what on this song, since it has three co-writers: Owen Bradley, Marvin Hughes and Beasley Smith. However, Bradley and Hughes were all best known as musicians, while Beasley was a words-and-music songwriter, so likely the words are primarily Beasley’s work. … Continue reading Program Notes: ‘A Distant Country 5’
‘Tennessee Walt: An Evening in ‘A Distant Country’: Program Notes
“Waiting for a Train” (Jimmie Rodgers, 1928). Rodgers is credited with writing this song, which he absolutely didn’t do—nearly all of his songs were written by other people or (if his name is on them) adapted from older blues songs or mountain ballads, and this is no exception. It dates from no later than 19th-century … Continue reading ‘Tennessee Walt: An Evening in ‘A Distant Country’: Program Notes
Program Notes on ‘Tennessee Walt’s A Distant Country 3′
“The Lord Knows I’m Drinking” (Cal Smith, 1972). I’m currently reading Whisperin’ Bill Anderson: An Unprecedented Life in Country Music, the 2016 memoir by the author of this song, who’s been a county star and Grand Ole Opry mainstay since the late 1950s. In it, he writes that he and his then-wife were having … Continue reading Program Notes on ‘Tennessee Walt’s A Distant Country 3′
Me and ‘Me and Bobby McGee’
Way before I ever got into country music—let alone started to think about performing it—I knew and loved a handful of country songs that I’d come across in one fashion or another. I didn’t necessarily recognize them as country songs, but I’d heard “Can the Circle Be Unbroken,” “The Wabash Cannonball” and “Tennessee Waltz,” and … Continue reading Me and ‘Me and Bobby McGee’
Program Notes: ‘A Distant Country 2’
“Worried Man Blues” (Carter Family, 1930). I have a theory about this song. I’m struck by the lines “I went across the river and laid me down to sleep. When I woke up, I had shackles on my feet.” Clearly the narrator has crossed a river and ended up in the wrong place, a place … Continue reading Program Notes: ‘A Distant Country 2’
