Central Islip Public Library, January 16, 2022 1. “Night Train to Memphis” (Roy Acuff, 1942). Roy Acuff It’s impossible to say for sure who did what on this song, since it has three co-writers: Owen Bradley, Marvin Hughes and Beasley Smith. However, Bradley and Hughes were both best known as musicians, while Beasley was a … Continue reading Program Notes: Tennessee Walt’s ‘An Afternoon in the Country’
History
Program Notes: Tennessee Walt’s ‘Hanks a Lot”
Bethpage Public Library, July 28, 2021 “Honky Tonking” (Hank Williams, 1947) Williams actually recorded and released this song twice in consecutive years, once for the low-budget, no-royalties Sterling Records in 1947 and again for the far more professional MGM Records in January 1948. Sterling didn’t have much distribution, so the MGM recording is the version … Continue reading Program Notes: Tennessee Walt’s ‘Hanks a Lot”
Program Notes: Tennessee Walt’s ‘A Year in a Distant Country’
March 13, 2021 “Honky Tonking” (Hank Williams, 1947) Williams actually recorded and released this song twice in consecutive years, once for the low-budget, no-royalties Sterling Records in 1947 and again for the far more professional MGM Records in January 1948. Sterling didn’t have much distribution, so the MGM recording is the version almost everybody knows … Continue reading Program Notes: Tennessee Walt’s ‘A Year in a Distant Country’
Program Notes: Tennessee Walt’s The Other Great American Songbook
North Babylon Public Library, January 26, 2021 “Setting the Woods on Fire” (Hank Williams, 1952) Written by Fred Rose and Edward G. Nelson, this is a great example of why many people said that Fred Rose could write a Hank Williams song better than anyone, even Williams himself. Since the song first hit the airwaves, … Continue reading Program Notes: Tennessee Walt’s The Other Great American Songbook
Program Notes: Tennessee Walt’s Bristol and Beyond: The Birth of Country Music
Bethpage Public Library, January 24, 2021 “Keep on the Sunny Side” (Carter Family, 1928) Songwriters get their ideas from all over, but the best ones keep their ears open, knowing that any random phrase they hear might be the germ of a great song. In the case of lyricist Ada Blenkhorn, she had a nephew … Continue reading Program Notes: Tennessee Walt’s Bristol and Beyond: The Birth of Country Music
‘Tennessee Walt’s Hank Williams Birthday Party’: Program Notes
“Hey, Good-Looking” (Hank Williams, 1951). Yes, the official name is “Hey, Good Lookin’.” To understand why I don’t call it that, read my 2016 blog post, “Hank Williams’ Apostrophe: A Quest for Authenticity.” It’s not about this song specifically, but it might just as well be. Williams’ penchant for borrowing tunes and, often, some of … Continue reading ‘Tennessee Walt’s Hank Williams Birthday Party’: Program Notes
The Curious Case of Paul Gilley
It sounds like a “Who’s buried in Grant’s Tomb?” line: Who wrote Hank Williams’ greatest songs? Paul Gilley The obvious answer is that Hank Williams did. However, there are a small number of people who, quite sincerely, believe that—at least in the case of “I’m So Lonesome I Could Cry” (1949) and “Cold, Cold Heart” … Continue reading The Curious Case of Paul Gilley
Program Notes: ‘A Distant Country 2’
“Worried Man Blues” (Carter Family, 1930). I have a theory about this song. I’m struck by the lines “I went across the river and laid me down to sleep. When I woke up, I had shackles on my feet.” Clearly the narrator has crossed a river and ended up in the wrong place, a place … Continue reading Program Notes: ‘A Distant Country 2’
‘That Isn’t How It Goes’
On the iconic country-revival album “Will the Circle Be Unbroken” (1972), by the Nitty Gritty Dirt Band and a legion of friends, perhaps the most resonant song on an album full of resonant songs is the penultimate track, a live-in-the-studio all-star jam on the title song that features (among others) Maybelle Carter and Roy Acuff … Continue reading ‘That Isn’t How It Goes’
The Shadow of Hank Williams
For a man whose recording career lasted barely six years, Hank Williams casts an immense shadow. I’m currently doing a show called Tennessee Walt’s Hanks a Lot!—and most of the audience members seem to come in assuming that it’s a show of Hank Williams songs. When they learn that I’ll be doing songs not … Continue reading The Shadow of Hank Williams
Tennessee Walt 