Program Notes:  Tennessee Walt’s ‘Big-Time Lonesome Town: The Songs of Kris Kristofferson’

East Hampton Public Library, April 5, 2025 “Just the Other Side of Nowhere” (1970). This song is from Kristofferson’s first album, and is clearly autobiographical in its portrait of a young man from a small town who has come to the big city hoping to prove himself there, but instead feels that he’s losing himself … Continue reading Program Notes:  Tennessee Walt’s ‘Big-Time Lonesome Town: The Songs of Kris Kristofferson’

Program Notes: Tennessee Walt’s ‘From Bakersfield with Love’

Island Trees Public Library, April 12, 2025 “Streets of Bakersfield” (Homer Joy, 1972). This song was the last of Buck Owens’ 20 No. 1 hits, and an absolute fluke.  In 1988 Owens and Merle Haggard were scheduled to appear at the Country Music Association Awards and sing a duet.  At the last moment Haggard couldn’t … Continue reading Program Notes: Tennessee Walt’s ‘From Bakersfield with Love’

Program Notes:  Tennessee Walt’s ‘The Hank Williams Century’

North Merrick Public Library, March 24, 2024 “Hey, Good-Looking” (Hank Williams, 1951). Yes, the official name is “Hey, Good Lookin’.”  To understand why I don’t call it that, read my 2016 blog post, “Hank Williams’ Apostrophe: A Quest for Authenticity.”  It’s not about this song specifically, but it might just as well be. Williams’ penchant … Continue reading Program Notes:  Tennessee Walt’s ‘The Hank Williams Century’

Program Notes:  Tennessee Walt’s ‘Three Chords and the Truth: Country’s Greatest Songwriters’

Bethpage Public Library, April 23, 2023 1.  “Always on My Mind” (Johnny Christopher, Mark James and Wayne Carson, 1970). People are often surprised to learn that Nelson didn’t write this song, and that it actually had been recorded by a number of famous singers in the decade before Nelson got to it.  In part this … Continue reading Program Notes:  Tennessee Walt’s ‘Three Chords and the Truth: Country’s Greatest Songwriters’

Program Notes: Tennessee Walt’s ‘Hanks a Lot”

Voorhies Hall, Bay View, Michigan * July 20, 2022 “Honky Tonking”  (Hank Williams, 1947) Williams actually recorded and released this song twice in consecutive years, once for the low-budget, no-royalties Sterling Records in 1947 and again for the far more professional MGM Records in January 1948. Sterling didn’t have much distribution, so the MGM recording … Continue reading Program Notes: Tennessee Walt’s ‘Hanks a Lot”

The Night that Hank Williams, Ernest Tubb and Porter Wagoner Came to Town

Is it a mystery if not many people care what the answer is? I say it’s a mystery if even one person cares—and, in this case, I’m that person. I didn’t initially recognize it as a mystery.  It started out looking like a song: “The Night Hank Williams Came to Town” (1987).  It’s a pretty … Continue reading The Night that Hank Williams, Ernest Tubb and Porter Wagoner Came to Town

Program Notes: Tennessee Walt’s ‘A Year in a Distant Country’

March 13, 2021 “Honky Tonking”  (Hank Williams, 1947) Williams actually recorded and released this song twice in consecutive years, once for the low-budget, no-royalties Sterling Records in 1947 and again for the far more professional MGM Records in January 1948. Sterling didn’t have much distribution, so the MGM recording is the version almost everybody knows … Continue reading Program Notes: Tennessee Walt’s ‘A Year in a Distant Country’

Program Notes: Tennessee Walt’s The Other Great American Songbook

Chappaqua Library, January 28, 2023 “Setting the Woods on Fire”  (Hank Williams, 1952) Written by Fred Rose and Edward G. Nelson, this is a great example of why many people said that Fred Rose could write a Hank Williams song better than anyone, even Williams himself.  Since the song first hit the airwaves, people have … Continue reading Program Notes: Tennessee Walt’s The Other Great American Songbook

Program Notes: Tennessee Walt’s Bristol and Beyond: The Birth of Country Music

Voorhies Hall, Bay View, Michigan, July 18, 2022 “Keep on the Sunny Side” (Carter Family, 1928) Songwriters get their ideas from all over, but the best ones keep their ears open, knowing that any random phrase they hear might be the germ of a great song.  In the case of lyricist Ada Blenkhorn, she had … Continue reading Program Notes: Tennessee Walt’s Bristol and Beyond: The Birth of Country Music