For a man whose recording career lasted barely six years, Hank Williams casts an immense shadow. I’m currently doing a show called Tennessee Walt’s Hanks a Lot!—and most of the audience members seem to come in assuming that it’s a show of Hank Williams songs. When they learn that I’ll be doing songs not only … Continue reading The Shadow of Hank Williams
Classic Country
Ten Things You Should Know about Cindy Walker
There's a lot more that you should know about Cindy Walker, one of country music's all-time greatest songwriters, but here are 10 to get you started. 1) She was born 100 years ago today, on 20 July 2018, on a farm in Mart, Texas, east of Waco. 2) She was inducted … Continue reading Ten Things You Should Know about Cindy Walker
Ten Things You Need to Know About Ernest Tubb
He’s not the greatest country singer who ever lived, but he may be my favorite. It’s hard to say why I love Tubb’s music so much, but I responded powerfully the first time I ever heard his voice (duetting with Loretta Lynn on “Sweet Thang” (1967), though I heard it on a Lynn collection that … Continue reading Ten Things You Need to Know About Ernest Tubb
My Favorite Things
I did a great show last weekend in Deer Park—and I should emphasize that I did a show I’d done many times before, something like the 25th performance of Tennessee Walt’s The Other Great American Songbook, and did it neither better nor worse than usual; it was the audience that made it great, by being … Continue reading My Favorite Things
‘The Most Important Event in the History of Country Music’
On August 6, 1927, Ralph Peer left Bristol. By Monday, August 8, there weren’t many people who even remembered that the Bristol Sessions had happened. Most of the musicians who had auditioned for him were already back in their everyday lives, scrambling to get by. Peer returned to New York, Bristol went about its business … Continue reading ‘The Most Important Event in the History of Country Music’
I Walk the Line
On August 4, 1927, Jimmie Rodgers—free of his entanglement with the Tenneva Ramblers—made his first recording as a solo act. Commercial country music, which had been born, unheralded and unnoticed, on August 1, when the Carter Family made their first recordings, came into focus at that moment. (The Tenneva Ramblers—free of their entanglement with Jimmie … Continue reading I Walk the Line
If You’ve Got the Money: The Economics of the Bristol Sessions
The Bristol Sessions looms large in history for artistic reasons: They launched the careers of Jimmie Rodgers and the Carter Family, whose music would define the parameters of country music for generations to come. However, the Sessions were not primarily an artistic exercise, but rather an economic one. Ralph Peer wasn’t in Bristol looking for … Continue reading If You’ve Got the Money: The Economics of the Bristol Sessions
El Watson and the Ghost of Esley Riddle
By July 28, 1927, the Bristol Sessions were looking like a bit of a dud. Ralph Peer had been recording for three days, and though he’d heard some good music—most of it from Ernest Stoneman and his friends and family in various combinations—he hadn’t heard anything that sounded like a game-changer for Peer or for … Continue reading El Watson and the Ghost of Esley Riddle
Why Bristol?
Today “the Bristol Sessions” is a portmanteau phrase in its own right, so much a given to country-music aficionados that it hardly seems necessary to ask questions such as “why were there sessions in Bristol?” or, more relevant to this discussion, “Why were the sessions in Bristol?” They didn’t have to be. In the 1910s … Continue reading Why Bristol?
Go South, Young Man
A few weeks back, a relative of mine wrote to me: “I'm so excited about your new career as a country-western singer.” I wrote back to clarify that I’m a country singer now, not a country-western singer. Earlier this week, when I again found myself explaining this distinction, this time to an old friend, I … Continue reading Go South, Young Man
Tennessee Walt 