Watch the Grammy awards—it doesn’t matter what year—and you’re watching an exercise in nomenclature. Americans love music, but they also love finding new words to categorize it. Is this song country, folk or Southern rock? Folk-rock, alt country or Americana? Is it neo-folk, country-punk or folkabilly? Why does anybody care? Well, it’s about money, of … Continue reading Is It Country? Is It Rock? 20 Ways to Tell
country music
Jeeves and the Yankee Yodeler
Author’s Note: Today, October 30, marks the 108th birthday of the great Patsy Montana (she died in 1996). The best way to mark the occasion is, of course, to listen to her music—particularly her immortal signature tune, “I Want to Be a Cowboy’s Sweetheart” (1935). Go ahead and do so; I’ll wait here until you … Continue reading Jeeves and the Yankee Yodeler
Go South, Young Man
A few weeks back, a relative of mine wrote to me: “I'm so excited about your new career as a country-western singer.” I wrote back to clarify that I’m a country singer now, not a country-western singer. Earlier this week, when I again found myself explaining this distinction, this time to an old friend, I … Continue reading Go South, Young Man
Music for Grownups
My first blog post, back in February, was titled “What Is Country Music?” That question—or, rather, its kissing cousin, “What is it that you like so much about country music?”—is in my mind again today. It’s been there since July 10, actually, when I had a brief conversation with a young friend, herself a brilliant … Continue reading Music for Grownups
The Man in Back
On the cover of his autobiography, Marshall Grant is hard to pick out. You’d expect him to be the focus of the cover photo, but that’s Johnny Cash. As he so often was in real life, Grant is the guy at far left, almost slipping off the edge of the cover and three-quarters hidden by … Continue reading The Man in Back
The Smartest Guy in the Room
Arguments about the best album ever are for suckers, and that’s even truer of arguments about the best country album ever. Setting aside the obvious fact that “best” is as subjective as a word can get, many of country’s greatest artists spent their entire careers in the pre-album era. When Hank Williams, Jimmie Rodgers and … Continue reading The Smartest Guy in the Room
Broke, Hungry, Wet and Far from Home: Things Are Looking Up
Jimmie Rodgers was arguably the most popular singer of his era. At the time of his death in 1933, he reportedly accounted for 10% of all records sold by RCA Victor, then the world’s largest record company. His contract had, in fact, been a key asset in RCA’s acquisition of the Victor Talking Machine Company … Continue reading Broke, Hungry, Wet and Far from Home: Things Are Looking Up
Not Quite Hank Williams, But Close
For a man who left behind him less than 10 minutes of video footage, Hank Williams has a remarkably long filmography. Inspired by the recent release of I Saw the Light, I’ve been delving into it and checking out some titles new to me and others which I hadn’t seen in years. There are at … Continue reading Not Quite Hank Williams, But Close
Merle Haggard, 1937-2016
On November 4, 2013, my wife and I got into our car in the early morning hours. From our home in Queens, N.Y., we were bound for Kingston, N.Y., a drive of some two-and-a-half hours, allowing for traffic. It was quite a drive, but it was worth it, because we were on our way to … Continue reading Merle Haggard, 1937-2016
Your Cheatin’ Heart: A Hank Williams We Never Knew
Having seen the new Hank Williams biopic I Saw the Light recently and written a blog post about it, I thought that this would be a good occasion to revisit the most prominent of the previous tellings of Williams’ story, Gene Nelson’s Your Cheatin’ Heart (1964). That’s the one which features George Hamilton as Williams, … Continue reading Your Cheatin’ Heart: A Hank Williams We Never Knew
Tennessee Walt 