Online, May 21, 2022 1. “A Song about You” (Gayden Wren, 2019). A year or two back, I noticed that in 2020 a country singer named Sam Grow had premiered a song called “Song About You.” I haven’t heard it, so I don’t know if it’s anything like mine. For the record, I debuted mine … Continue reading Program Notes: ‘Tennessee Walt’s 61 and Counting’
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Program Notes: Tennessee Walt’s ‘Three Chords and the Truth: Country’s Greatest Songwriters’
East Hampton Library, April 9, 2022 1. “Always on My Mind” (Johnny Christopher, Mark James and Wayne Carson, 1970). People are often surprised to learn that Nelson didn’t write this song, and that it actually had been recorded by a number of famous singers in the decade before Nelson got to it. In part this … Continue reading Program Notes: Tennessee Walt’s ‘Three Chords and the Truth: Country’s Greatest Songwriters’
Program Notes: Tennessee Walt’s ‘Riding with the Outlaws’
John C. Hart Memorial Library, April 3, 2022 1. “Honky Tonk Heroes” (Billy Joe Shaver, 1973). The story goes that in late 1972, after repeated efforts to corner Waylon Jennings and play his songs for him, Billy Joe Shaver had had enough. Knowing that Jennings was going to be recording at Tompall Glaser’s “Hillbilly Central” … Continue reading Program Notes: Tennessee Walt’s ‘Riding with the Outlaws’
Program Notes: Tennessee Walt’s ‘An Afternoon in the Country’
Elmont Memorial Library, April 8, 2022 1. “Night Train to Memphis” (Roy Acuff, 1942). Roy Acuff It’s impossible to say for sure who did what on this song, since it has three co-writers: Owen Bradley, Marvin Hughes and Beasley Smith. However, Bradley and Hughes were both best known as musicians, while Beasley was a words-and-music … Continue reading Program Notes: Tennessee Walt’s ‘An Afternoon in the Country’
Program Notes: Tennessee Walt’s ‘Hanks a Lot”
Babylon Public Library, April 22, 2022 “Honky Tonking” (Hank Williams, 1947) Williams actually recorded and released this song twice in consecutive years, once for the low-budget, no-royalties Sterling Records in 1947 and again for the far more professional MGM Records in January 1948. Sterling didn’t have much distribution, so the MGM recording is the version … Continue reading Program Notes: Tennessee Walt’s ‘Hanks a Lot”
The Night that Hank Williams, Ernest Tubb and Porter Wagoner Came to Town
Is it a mystery if not many people care what the answer is? I say it’s a mystery if even one person cares—and, in this case, I’m that person. I didn’t initially recognize it as a mystery. It started out looking like a song: “The Night Hank Williams Came to Town” (1987). It’s a pretty … Continue reading The Night that Hank Williams, Ernest Tubb and Porter Wagoner Came to Town
‘Tennessee Walt: An Evening in ‘A Distant Country’: Program Notes
“Waiting for a Train” (Jimmie Rodgers, 1928). Rodgers is credited with writing this song, which he absolutely didn’t do—nearly all of his songs were written by other people or (if his name is on them) adapted from older blues songs or mountain ballads, and this is no exception. It dates from no later than 19th-century … Continue reading ‘Tennessee Walt: An Evening in ‘A Distant Country’: Program Notes
Me and ‘Me and Bobby McGee’
Way before I ever got into country music—let alone started to think about performing it—I knew and loved a handful of country songs that I’d come across in one fashion or another. I didn’t necessarily recognize them as country songs, but I’d heard “Can the Circle Be Unbroken,” “The Wabash Cannonball” and “Tennessee Waltz,” and … Continue reading Me and ‘Me and Bobby McGee’
Program Notes: ‘A Distant Country 2’
“Worried Man Blues” (Carter Family, 1930). I have a theory about this song. I’m struck by the lines “I went across the river and laid me down to sleep. When I woke up, I had shackles on my feet.” Clearly the narrator has crossed a river and ended up in the wrong place, a place … Continue reading Program Notes: ‘A Distant Country 2’
‘That Isn’t How It Goes’
On the iconic country-revival album “Will the Circle Be Unbroken” (1972), by the Nitty Gritty Dirt Band and a legion of friends, perhaps the most resonant song on an album full of resonant songs is the penultimate track, a live-in-the-studio all-star jam on the title song that features (among others) Maybelle Carter and Roy Acuff … Continue reading ‘That Isn’t How It Goes’
Tennessee Walt 