Bayport-Blue Point Public Library, Blue Point, New York * November 13, 2022 1. “Honky Tonk Heroes” (Billy Joe Shaver, 1973). The story goes that in late 1972, after repeated efforts to corner Waylon Jennings and play his songs for him, Billy Joe Shaver had had enough. Knowing that Jennings was going to be recording at … Continue reading Program Notes: Tennessee Walt’s ‘Riding with the Outlaws’
authenticity
‘That Isn’t How It Goes’
On the iconic country-revival album “Will the Circle Be Unbroken” (1972), by the Nitty Gritty Dirt Band and a legion of friends, perhaps the most resonant song on an album full of resonant songs is the penultimate track, a live-in-the-studio all-star jam on the title song that features (among others) Maybelle Carter and Roy Acuff … Continue reading ‘That Isn’t How It Goes’
Turning Our Backs on Irony Man
Like many people well into middle age, I’ve felt increasingly out of sync with the modern world in recent years. The things I value most seem to be less appreciated in the 21st century, while the values of the new century seem foreign to me. It’s impossible to tell what posterity will make of the … Continue reading Turning Our Backs on Irony Man
The Shadow of Hank Williams
For a man whose recording career lasted barely six years, Hank Williams casts an immense shadow. I’m currently doing a show called Tennessee Walt’s Hanks a Lot!—and most of the audience members seem to come in assuming that it’s a show of Hank Williams songs. When they learn that I’ll be doing songs not … Continue reading The Shadow of Hank Williams
Love Is Blind, in 4/4 Time
It’s been nine years since I started listening to country music and, unwittingly, placed my feet on the path that led to the birth of Tennessee Walt. (For further details of this story, check here.) The people who have known me longer than that are, for the most part, baffled by my new taste in … Continue reading Love Is Blind, in 4/4 Time
‘The Most Important Event in the History of Country Music’
On August 6, 1927, Ralph Peer left Bristol. By Monday, August 8, there weren’t many people who even remembered that the Bristol Sessions had happened. Most of the musicians who had auditioned for him were already back in their everyday lives, scrambling to get by. Peer returned to New York, Bristol went about its business … Continue reading ‘The Most Important Event in the History of Country Music’
Six Songs, Plus Three More
If you listen to the recordings from the Bristol Sessions (and you should—the Bear Family collection, The Bristol Sessions: 1927-1928 is the definitive version, despite some unfortunate errors in its accompanying hardcover liner notes, but the Country Music Hall of Fame release The Bristol Sessions is also excellent) … if you listen to the recordings … Continue reading Six Songs, Plus Three More
I Walk the Line
On August 4, 1927, Jimmie Rodgers—free of his entanglement with the Tenneva Ramblers—made his first recording as a solo act. Commercial country music, which had been born, unheralded and unnoticed, on August 1, when the Carter Family made their first recordings, came into focus at that moment. (The Tenneva Ramblers—free of their entanglement with Jimmie … Continue reading I Walk the Line
Straight from Clinch Mountain
It’s easy enough to see why Jimmie Rodgers caught Ralph Peer’s eye in Bristol. A show-business veteran with the gift of the gab and a zest for self-promotion, Rodgers was a dapper dresser with a fine, flexible voice, brimming with self-confidence, and he had that yodel to set him apart from the crowd. The songs … Continue reading Straight from Clinch Mountain
An Unlikely Queen
As one of the two parents of rock ‘n’ roll (the other is rhythm and blues), country music understandably has had a considerable impact on the younger genre, and it’s no surprise that 10 country artists are enshrined in the Rock and Roll Hall of Fame. Not enshrined there, however, is the country star who … Continue reading An Unlikely Queen
Tennessee Walt 