Way before I ever got into country music—let alone started to think about performing it—I knew and loved a handful of country songs that I’d come across in one fashion or another. I didn’t necessarily recognize them as country songs, but I’d heard “Can the Circle Be Unbroken,” “The Wabash Cannonball” and “Tennessee Waltz,” and … Continue reading Me and ‘Me and Bobby McGee’
“What is it you like so much about the sad songs?” One of the things I enjoy the most about the country shows I’ve been doing for the past few years is the opportunity to talk to audience members afterward. People come up to tell me that they’ve enjoyed the show, to take issue with … Continue reading Sing Me a Sad Song
I did a great show last weekend in Deer Park—and I should emphasize that I did a show I’d done many times before, something like the 25th performance of Tennessee Walt’s The Other Great American Songbook, and did it neither better nor worse than usual; it was the audience that made it great, by being … Continue reading My Favorite Things
Arguments about the best album ever are for suckers, and that’s even truer of arguments about the best country album ever. Setting aside the obvious fact that “best” is as subjective as a word can get, many of country’s greatest artists spent their entire careers in the pre-album era. When Hank Williams, Jimmie Rodgers and … Continue reading The Smartest Guy in the Room
Let’s begin by acknowledging that it’s a profoundly unnecessary question. A good song is a good song, whether you call it country, barbershop or Gregorian chant, and it won’t get any better—or any worse—by any other name. If you like a song, it doesn’t matter what genre it is. Nonetheless, there’s few things Americans like … Continue reading What Is Country Music?