Program Notes: Tennessee Walt’s The Other Great American Songbook

Chappaqua Library, January 28, 2023 “Setting the Woods on Fire”  (Hank Williams, 1952) Written by Fred Rose and Edward G. Nelson, this is a great example of why many people said that Fred Rose could write a Hank Williams song better than anyone, even Williams himself.  Since the song first hit the airwaves, people have … Continue reading Program Notes: Tennessee Walt’s The Other Great American Songbook

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‘The Most Important Event in the History of Country Music’

On August 6, 1927, Ralph Peer left Bristol.  By Monday, August 8, there weren’t many people who even remembered that the Bristol Sessions had happened.  Most of the musicians who had auditioned for him were already back in their everyday lives, scrambling to get by.  Peer returned to New York, Bristol went about its business … Continue reading ‘The Most Important Event in the History of Country Music’

If You’ve Got the Money: The Economics of the Bristol Sessions

The Bristol Sessions looms large in history for artistic reasons:  They launched the careers of Jimmie Rodgers and the Carter Family, whose music would define the parameters of country music for generations to come. However, the Sessions were not primarily an artistic exercise, but rather an economic one.  Ralph Peer wasn’t in Bristol looking for … Continue reading If You’ve Got the Money: The Economics of the Bristol Sessions

2 States, 12 Days and 90 Years: It’s Time for a Party

I spent a chunk of last summer toying with the idea of staging a country-music festival this summer to mark the 90th anniversary of the Bristol Sessions, aka the Big Bang of Country Music.  Sadly, Country 90 NYC (as it was provisionally called) didn’t come together; we’ll just have to wait for 2027 and Country … Continue reading 2 States, 12 Days and 90 Years: It’s Time for a Party

Hank Williams’ Apostrophe: A Quest for Authenticity

The title of the song is “Your Cheatin’ Heart.” That much is clear. It’s right there on the cover of the sheet music, as published by Williams’ own publisher, Acuff-Rose, in 1952. Of that there is no possible doubt whatever. Thereafter, though, things get murky. It seems obvious that, if you’re singing the song, the … Continue reading Hank Williams’ Apostrophe: A Quest for Authenticity