The Bristol Sessions looms large in history for artistic reasons: They launched the careers of Jimmie Rodgers and the Carter Family, whose music would define the parameters of country music for generations to come. However, the Sessions were not primarily an artistic exercise, but rather an economic one. Ralph Peer wasn’t in Bristol looking for … Continue reading If You’ve Got the Money: The Economics of the Bristol Sessions
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El Watson and the Ghost of Esley Riddle
By July 28, 1927, the Bristol Sessions were looking like a bit of a dud. Ralph Peer had been recording for three days, and though he’d heard some good music—most of it from Ernest Stoneman and his friends and family in various combinations—he hadn’t heard anything that sounded like a game-changer for Peer or for … Continue reading El Watson and the Ghost of Esley Riddle
Spreading the Word
The standard mythology about the Bristol Sessions has it that Ralph Peer drifted into Bristol on July 22, a stranger in town; that he placed an ad in the local paper and, as a result, hordes of aspiring country musicians came down from the hills to audition; and that among those hordes were Jimmie Rodgers … Continue reading Spreading the Word
Pop Comes to Bristol
Mention the Bristol Sessions, and anyone who’s visited the Country Music Hall of Fame (or, better yet, the Birthplace of Country Music Museum in Bristol) will know what you’re talking about. After all, the sessions brought together three iconic members of the Hall of Fame at the beginning of their country careers: producer Ralph Peer, … Continue reading Pop Comes to Bristol
Why Bristol?
Today “the Bristol Sessions” is a portmanteau phrase in its own right, so much a given to country-music aficionados that it hardly seems necessary to ask questions such as “why were there sessions in Bristol?” or, more relevant to this discussion, “Why were the sessions in Bristol?” They didn’t have to be. In the 1910s … Continue reading Why Bristol?
2 States, 12 Days and 90 Years: It’s Time for a Party
I spent a chunk of last summer toying with the idea of staging a country-music festival this summer to mark the 90th anniversary of the Bristol Sessions, aka the Big Bang of Country Music. Sadly, Country 90 NYC (as it was provisionally called) didn’t come together; we’ll just have to wait for 2027 and Country … Continue reading 2 States, 12 Days and 90 Years: It’s Time for a Party
An Unlikely Queen
As one of the two parents of rock ‘n’ roll (the other is rhythm and blues), country music understandably has had a considerable impact on the younger genre, and it’s no surprise that 10 country artists are enshrined in the Rock and Roll Hall of Fame. Not enshrined there, however, is the country star who … Continue reading An Unlikely Queen
Is It Country? Is It Rock? 20 Ways to Tell
Watch the Grammy awards—it doesn’t matter what year—and you’re watching an exercise in nomenclature. Americans love music, but they also love finding new words to categorize it. Is this song country, folk or Southern rock? Folk-rock, alt country or Americana? Is it neo-folk, country-punk or folkabilly? Why does anybody care? Well, it’s about money, of … Continue reading Is It Country? Is It Rock? 20 Ways to Tell
Jeeves and the Yankee Yodeler
Author’s Note: Today, October 30, marks the 108th birthday of the great Patsy Montana (she died in 1996). The best way to mark the occasion is, of course, to listen to her music—particularly her immortal signature tune, “I Want to Be a Cowboy’s Sweetheart” (1935). Go ahead and do so; I’ll wait here until you … Continue reading Jeeves and the Yankee Yodeler
Go South, Young Man
A few weeks back, a relative of mine wrote to me: “I'm so excited about your new career as a country-western singer.” I wrote back to clarify that I’m a country singer now, not a country-western singer. Earlier this week, when I again found myself explaining this distinction, this time to an old friend, I … Continue reading Go South, Young Man
Tennessee Walt 